I didn’t think it was possible for a movie to be worse than Magic Mike. Apparently it is. How and
why Magic Mike XXL scored a 65% fresh
on Rotten Tomatoes is beyond me!
Did the makers think that making the film more racially
diverse and adding a few big name actors and celebrity personalities including
Jada Smith, Elizabeth Banks, Michael Strahan and Donald Grover aka Childish
Gambino would be sufficient? I don’t think so! The movie still needs to have a
strong plot, whereas, this one hardly had a story. It was even more horrible than the
original!
Even the few sexy dances, mostly involving Channing Tatum
(yes, he is indeed an amazing dancer!) and the few funny moments involving Joe
Manganiello, could not save it from the disaster that this flick was. And let’s
face it, Kevin Nash, cannot dance! All the additional so-called plot lines that
were added for the sequel just seemed unnecessary and did not add any value to
the bare-bones version of a story. What was even more frustrating that the film
kind of ended abruptly!
If Director Gregory Jacobs wanted to make a dance movie
without caring much about the plot, maybe he should have learned something from
the Step Up and Step Up 2: The Streets movies. Now those were good dance movies!!
Those were the movies that made me fall in love with Tatum himself and Robert
Hoffman.
Though I am embarrassed to admit that I have seen both the
installments in the Magic Mike franchise,
I couldn’t help but share my thoughts given I left the theater feeling annoyed.
Save your $$ as this movie is pure garbage in my opinion!
However, guest film blogger, Aliah Wright, doesn’t quite
agree with me. Here’s what she had to say. Read at your own risk as her review
contains some spoilers!
What can I say about
Magic Mike XXL? I loved it!
Three years have
passed since Magic Mike (Channing Tatum) retired from the oh-so glorious world
of taking off his clothes so others could see him flex his pecs (and count the
ripples in his six pack -- all while showing off his stellar dance moves. In
Magic Mike XXL, we pick up where Mike has left off, now living on his own
(dumped by his girlfriend – sorry spoiler alert!) and longing just a tad for
the life he left behind.
How do we know?
Just after the film opens
see him welding stuff (sparks flying suggestively from a strategically placed
welding gun held between his you know what) while dancing all over his
woodworking/furniture shop (who knows, really what kind of shop he now owns,
who cares) to Ginuwine’s “Pony” as he did here in the original.
Tatum, who reportedly
once worked as a stripper in real life before hitting it big, can really dance.
Well.
I mean like, really,
really well.
And when he finds out
his old crew is headed to a stripper convention (!!!) in Myrtle Beach, the
lonely and nostalgic Mike throws caution to the wind and says, “Why not?” And
crashes the road trip.
I cannot tell a lie.
You don’t go to see a movie about hot male strippers for the dialogue.
Or the acting.
Or the plot. (Plot?
What plot?) I saw it in a theater in the middle of conservative nowhere
Virginia packed with women who whooped and hollered at the screen.
You go for the same
reason we all went - to see them strip – and dance - and strip. (All without
having to make it rain real dollar bills).
Director Gregory
Jacobs acquits himself well with direction and it’s a pretty, slickly shot
film. It should be. Steven Soderbergh (who directed the first one as well as
the Ocean Eleven franchise and the Oscar-winning Traffic) returns as its
cinematographer. The elaborate and well-coordinated dance sequences are
fantastic.
And boy can these guys
dance well! I mean, like, amazingly well (yeah, I said it again). The music is
incredible. The dialogue – well, to be honest, I didn’t really pay attention to
that.
Channing Tatum,
however, looks pretty frickin’ amazing without a shirt.
Or pants.
And my jaw dropped at
least four times during this movie – when the music was playing and I was paying
attention to what went on screen – rather than Googling crap on my new iPhone.
Which I did. A lot.
But the stripping
parts had me riveted!
If you’re expecting a
plot – go see Terminator. If you’re expecting action, go catch that new
Jurassic film.
If you’re expecting to
see Joe Manganiello (of HBO’s True Blood fame) act goofy and dance around half
naked – while making a thinly veiled reference to vampire films (which was
funny) GO SEE THIS FILM!
I am. Again. And I’m
buying it on DVD, too!
Aliah D. Wright is the
former entertainment editor for Gannett News Service at USA Today. She is
presently a business writer and best-selling author of “A Necessary Evil:
Managing Employee Activity on Facebook, Twitter, LinkedIn … and the Hundreds of
Other Social Media Sites”. This is her debut review for It’s All In The Movies!